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	<title>Tom Hogan&#039;s Obscure Music History</title>
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	<description>A Completely Fictitious Anthology of B&#039;er Sides and Rarerities from Recorded Popular Music</description>
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		<title>Blood Anus &#8211; Adamantium Cage (1987)</title>
		<link>http://www.obscuremusichistory.com/archives/blood-anus-adamantium-cage-1987/</link>
		<comments>http://www.obscuremusichistory.com/archives/blood-anus-adamantium-cage-1987/#comments</comments>
		<pubDate>Tue, 09 Apr 2013 03:30:43 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1980s]]></category>
		<category><![CDATA[blood anus]]></category>
		<category><![CDATA[colin brackenbury]]></category>

		<guid isPermaLink="false">http://www.obscuremusichistory.com/?p=703</guid>
		<description><![CDATA[Blood Anus (who defined themselves as &#8220;bone rattling dirt sludge core&#8221;) were on the verge of international success when their debut album hit the shelves in the late 80s.
The poet Colin Brackenbury would later sing praises of Blood Anus for their heartfelt lyrics which &#8220;stay true to form, in the  [...]]]></description>
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		<title>1999 &#8211; Gjöhórírk</title>
		<link>http://www.obscuremusichistory.com/archives/1999-gjohorirk/</link>
		<comments>http://www.obscuremusichistory.com/archives/1999-gjohorirk/#comments</comments>
		<pubDate>Wed, 25 Aug 1999 14:41:30 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1990s]]></category>
		<category><![CDATA[Gjöhórírk]]></category>
		<category><![CDATA[Jâgèñflürg]]></category>

		<guid isPermaLink="false">http://www.obscuremusichistory.com/?p=200</guid>
		<description><![CDATA[It was no denying that Gjöhórírk were destined for the Hall of Fame. To this day, their debut album holds the record for Most Returned Copies, and their CD single Horticultural won the Best Newcomer in the National Dog Chew Toy Awards in 1996. They were on the path to stardom.
However, their 1999  [...]]]></description>
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		<title>1996 &#8211; Digital Flesh</title>
		<link>http://www.obscuremusichistory.com/archives/1996-digital-flesh/</link>
		<comments>http://www.obscuremusichistory.com/archives/1996-digital-flesh/#comments</comments>
		<pubDate>Wed, 21 Aug 1996 08:36:28 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1990s]]></category>
		<category><![CDATA[Ash Neil]]></category>
		<category><![CDATA[Sonny Gilford]]></category>
		<category><![CDATA[The Actives]]></category>

		<guid isPermaLink="false">http://111.118.173.50/~obscure1/?p=23</guid>
		<description><![CDATA[Industrial studio band Digital Flesh was a collaboration between producer Sonny Gilford and grunge rock trio Unifier. Their distorted bass lines and glitch beats, layered alongside singer Ash Neil&#8217;s vocals summed up the retaliation against the digital pop music of the time, and steered away from  [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>1995 &#8211; Josh Cameline</title>
		<link>http://www.obscuremusichistory.com/archives/1995-josh-cameline/</link>
		<comments>http://www.obscuremusichistory.com/archives/1995-josh-cameline/#comments</comments>
		<pubDate>Mon, 21 Aug 1995 08:36:44 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1990s]]></category>
		<category><![CDATA[Josh Cameline]]></category>
		<category><![CDATA[Subtle Sam]]></category>

		<guid isPermaLink="false">http://111.118.173.50/~obscure1/?p=25</guid>
		<description><![CDATA[Josh Cameline is almost an immortal figure in certain music circles. His album Falling, Fleeting, with its selection of original pieces and cover songs &#8211; including the &#8216;definitive&#8217; rendition of Subtle Sam&#8217;s country blues classic &#8220;Ever After Happily&#8221; &#8211; was an unexpected surprise for distributors.  [...]]]></description>
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		<title>1992 &#8211; Unifier</title>
		<link>http://www.obscuremusichistory.com/archives/1992-unifier/</link>
		<comments>http://www.obscuremusichistory.com/archives/1992-unifier/#comments</comments>
		<pubDate>Fri, 21 Aug 1992 08:36:14 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1990s]]></category>
		<category><![CDATA[Ash Neil]]></category>

		<guid isPermaLink="false">http://111.118.173.50/~obscure1/?p=21</guid>
		<description><![CDATA[The debut album of grunge trio Unifier failed to make an impact on the larger market, but their relentless live shows gave them a dedicated following in their home town. It also helped that singer Ash Neil oozed sexuality from the ears, and was heralded as the Sexiest Face On Radio in 1991.
The  [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>1991 &#8211; Roger Gluible</title>
		<link>http://www.obscuremusichistory.com/archives/1991-roger-gluible/</link>
		<comments>http://www.obscuremusichistory.com/archives/1991-roger-gluible/#comments</comments>
		<pubDate>Fri, 08 Nov 1991 13:55:53 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1990s]]></category>

		<guid isPermaLink="false">http://www.obscuremusichistory.com/?p=597</guid>
		<description><![CDATA[ During the last 80s, performance artist Roger Gluible declared he was sick of living in obscurity, and took drastic measures to get his postmodern artforms more recognised by mainstream audiences.
The most effective attempt at reaching the general public took place in 1991 with the release of his  [...]]]></description>
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		<title>1986 &#8211; K.o.K</title>
		<link>http://www.obscuremusichistory.com/archives/1986-k-o-k/</link>
		<comments>http://www.obscuremusichistory.com/archives/1986-k-o-k/#comments</comments>
		<pubDate>Thu, 21 Aug 1986 08:35:48 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1980s]]></category>
		<category><![CDATA[K.o.K]]></category>
		<category><![CDATA[The Double Triplets]]></category>

		<guid isPermaLink="false">http://111.118.173.50/~obscure1/?p=19</guid>
		<description><![CDATA[K.o.K (&#8216;Killerz or Killed&#8217;) took inspiration from other rap crews around the time and released a number of recordings where the suppressed minority fought to have their voice and stories of the streets heard.
Album sales did not go very well; other groups displayed more confidence at delivering  [...]]]></description>
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		<title>1985 &#8211; The Actives</title>
		<link>http://www.obscuremusichistory.com/archives/1985-the-actives/</link>
		<comments>http://www.obscuremusichistory.com/archives/1985-the-actives/#comments</comments>
		<pubDate>Fri, 08 Nov 1985 16:12:34 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1980s]]></category>
		<category><![CDATA[The Actives]]></category>

		<guid isPermaLink="false">http://www.obscuremusichistory.com/?p=612</guid>
		<description><![CDATA[Reuniting again for their eighth incarnation, The Actives took their sound in another new direction, from their humble beginnings as a pop quartet, to avant-garde experimentalists, to Cuban revolutionaries, to glam rockers, to Klezmer party band. In the mid-80s, they settled on a fresh rock sound,  [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>1983 &#8211; Corrona Jag</title>
		<link>http://www.obscuremusichistory.com/archives/1983-corrona-jag/</link>
		<comments>http://www.obscuremusichistory.com/archives/1983-corrona-jag/#comments</comments>
		<pubDate>Wed, 13 Mar 1985 05:09:04 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1980s]]></category>
		<category><![CDATA[Gutfang]]></category>

		<guid isPermaLink="false">http://www.obscuremusichistory.com/?p=526</guid>
		<description><![CDATA[Following the success of her previous band Gutfang, the always rebellious bassist Martha Corrona needed a change. This need gave birth to a new group: Corrona Jag, the absolute definition of post-punk-indie-alternative-without-synths.
In an effort to separate themselves from the brighter, attention  [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>1984 &#8211; Mickey Hickson</title>
		<link>http://www.obscuremusichistory.com/archives/1984-mickey-hickson/</link>
		<comments>http://www.obscuremusichistory.com/archives/1984-mickey-hickson/#comments</comments>
		<pubDate>Mon, 16 Jan 1984 23:21:27 +0000</pubDate>
		<dc:creator>Tom Hogan</dc:creator>
				<category><![CDATA[1980s]]></category>
		<category><![CDATA[Mickey Hickson]]></category>

		<guid isPermaLink="false">http://www.obscuremusichistory.com/?p=685</guid>
		<description><![CDATA[At the height of the charity record era, Mickey &#8220;King&#8221; Hickson hosted his own not-for-profit festival, MAAWOE (Musical Action Against War On Earth). At the festival, alongside a full band with a 70 piece string orchestra and choir for the final chorus, he unveiled his epic feelgood power ballad,  [...]]]></description>
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		<slash:comments>0</slash:comments>
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